PEN PICTURES FROM RHODESIA LETTER 1

This film is held by the BFI (ID: 12217).

Synopsis

By means of a letter addressed to 'the members, Cinema Clubs for Girls and Boys, Great Britain', a young boy offers an insight into his life at the Wankie Game Reserve in Southern Rhodesia.

A boy's hand opens a letter addressed to 'the members, Cinema Clubs for Girls and Boys, Great Britain'. The letter, explaining that 'we are living in Rhodesia now', appears on screen, followed by a map outlining where they are living. There follows a series of landscape shots as two boys play in a tree, while their mother picks some flowers and knits. The two boys play with a local African boy and watch as eight African military figures march and stand to attention. The family get into their car and journey around the game reserve, spotting elephants, giraffes and other wildlife along their way. The film concludes with the final section of the letter - signed Roddie - appearing on screen.

 

Context

An article in The Children’s Newspaper in March 1947 wrote of a ‘fascinating new film’, which took the form of a letter and showed two young boys exploring the Wankie Game Reserve. The article explained that ‘the film was made primarily to be shown at children’s cinema clubs in Britain, but is naturally popular in Rhodesia itself’ (The Children’s Newspaper, 29 March 1947, 3). Mary Field, the head of Children’s Entertainment Films, also noted that the Pen Picture series ‘has proved internationally successful’ (Field, 1953, 76).

The film did not appear in England until 1948. In August 1948 The Children’s Newspaper again wrote of Pen Pictures From Rhodesia – ‘the new film series at the Children’s Cinema Clubs’ – and noted that the two boys within the film, seven-year-old Roddie and five-year-old Jerry, were the sons of the Wankie Game Warden, Edward (Ted) Davison (The Children’s Newspaper, 7 August 1948, 6). Davison had become the park’s first game warden in 1928 at the age of twenty-two, and built up the reserve by mapping the area, countering poachers, charting animal movements, controlling tsetse fly and establishing the park as a tourist attraction, until 1961 when be became deputy director general of national parks (The Times, 15 June 1982, 12).

Mary Field noted that the series of five one-reel films ‘combines experience gained from the Magic Globe series and Escape from Norway’. She explained that ‘it was by the detailed information which managers sent us that we were able to evolve the right method of making children’s travel films, dropping the complicated technique of the early Magic Globe Series and developing the simplicity of the Pen Picture Series’ (Field, 1953, 180, 76). The films were made by Frank Goodliffe, who started working for the Southern Rhodesian Government in 1947 as Films Officer to the Public Relations Department, producing films that were screened predominantly in clubs, schools and by mobile cinemas (Mangin, 1998. 18). 

 

Analysis

(NB: The film viewed was mute)

The formal structure of Pen Pictures from Rhodesia – a pen pal letter from a boy in Rhodesia addressed to the children watching the film in England – was designed to promote friendship across the Empire. Adopting a child’s commentary and shown from the point of view of the white Rhodesian boys, the film encouraged the English viewers to identify with the Rhodesian boys on screen, while highlighting the differences or, in the words of The Children’s Newspaper, the ‘interesting and thrilling’ aspects of their life (The Children’s Newspaper, 7 August 1948, 6).

Pen Pictures From Rhodesia No. 1 ostensibly highlights the landscape and wildlife of Rhodesia, but it also offers glimpses into local life – for example the children receiving lessons from their mother – and shows interactions between the family and local Africans. The two young boys play with an African friend throughout the series. In this first film the African boy travels with the family as they drive around the reserve. Yet, while the family all sit in the car, the African boy – barefoot in contrast to Roddie and Jerry - climbs onto the trailer.

The film is symptomatic of the increased interest and promotion of Rhodesia on film after the war. The Southern Rhodesian Government made a series of tourist and immigration films after 1946, and these Pen Pictures, while presented as films by and for children, further serve to make Rhodesia appear more accessible and attractive to the British. The films adopt simple narratives – for example the fifth in the series concerns a bush fire and the disappearance of an African boy – but they are presented as documentaries of local life. The Children’s Newspaper noted that ‘they show us on the screen scenes from their everyday life in this remote area’, while the children use their real names within the film.

Tom Rice (June 2008)

 

Works Cited

‘A Letter from the Wilds’, The Children’s Newspaper, 29 March 1947, 3.

‘Films Worth Seeing’, The Children’s Newspaper, 7 August 1948, 6.

Field, Mary, Good Company:The Story of the Children’s Entertainment Film Movement in Great Britain, 1943-1950 (London: Longmans Green and Co., 1952).

Mangin, Geoffrey, Filming Emerging Africa: A Pioneer Cinematographer’s Scrapbook – from the 1940s to the 1960s (February 1998).

Monthly Film Bulletin, 5:169/180 (1948), 65.

‘Mr Ted Davison’, The Times, 15 June 1982, 12.

 

Titles

  • PEN PICTURES FROM RHODESIA NO. 1 (Alternative)
  • PEN PICTURES FROM RHODESIA LETTER 1
 

Technical Data

Year:
1948
Running Time:
10 minutes
Film Gauge (Format):
35mm Film
Colour:
Black/White
Sound:
Mute
Footage:
861 ft
 

Production Credits

Production Countries:
Great Britain
Producer
CADMAN, Frank
commentator
WESKE, Brian
Editor
MANSELL, Enid
Music
BEAVER, Jack
Photography
GOODLIFFE, Frank A.
Production Company
Gaumont-British Instructional
Sound
BIRCH, Peter
 

Countries

 

Genres

 

Production Organisations