... with Galt (706). [Missing section. The Sheik gives orders that Uyuni is to be kidnapped and that Musa must preach a holy war against the British. Musa refuses and Galt thwarts the kidnap attempt. The Sheik and his retinue leave the town intending to return ...

... , African tribal life, and the Sahara. Andrew Roberts argued that ‘the great African subject for French filmmakers between the wars was crossing the Sahara: this was treated in at least ten films of substance’ (Roberts 1987, 204). Indeed at the ...

... and tribesmen’ performing ‘war dances’, ‘the rhythmical ... , Seapower and Strategy between the Wars (London: Macmillan, 2000).

‘ ... , 'The Mighty Hood': Navy, Empire, War at Sea and the British National ...

... coastline (67), a stream crossed by a wooden bridge and fringed with luxuriant vegetation (105) and an old Fiji warrior with his war club (134). Views of Suva from above follow (219) together with shots of the business section with its wharfs and godowns ...

... 610). Put on hold due to the 1914-18 war, the project finally received parliamentary ... Romania on the side of the Allies in World War I, and of enlarging her country’s ... company’s bi-weekly newsreel. During World War I the Topical Film Company came ...

... ndash; with an emphasis on patriotism and militarism – was clearly reactionary, but it also responded directly to current, post-war attitudes both to the Empire and to British society. For example, the film endorses an imperialism based on religious ...

... by superstitious fear’ and controlled by witchcraft and superstition. They are presented as inherently violent – ‘war was a game in which all Molunga natives excelled’ – and depicted through stereotypical ethnographic shots. ...

... setting is altogether more rural, with peasant villages. There is a parade by the ceremonial guard of an Indian prince, complete with jewelled war elephants and camels. Views of one of the main Hindu temples. Near the temple there is a market, including a ...

... District Officer and a tin miner leads to war.

The film introduces the main ... tribe, warns his king, Dawiya, to 'beware of war', while Mark Fernandez, a tin miner, ... him. The misled Dawiya prepares for war - 'with strong liquor' - and Allison almost ...

... views of Sennar Dam (59). Scenes at Malakal: an African beats on a drum (67); a `war dance' by African males (probably of the Shilluk people) to ... into a rail trolley (311-357). Africans perform a war dance in the mine compound, interspered with shots of ...

... ); two lines of men; each man carries a large spade-shaped leaf and waves it about slowly (607). Group shot of warriors dressed in their war attire (610-618). Village totems - sculptures in wood of womens' heads (627). A canoe with a large outrigger and a ...

... become Jammu and Kashmir. After the Sikh Empire’s defeat by the British East India Company in the Anglo-Sikh War of 1845-6, Gulab successfully obtained first recognition as an independent ruler over vast tracts of land which included the vale of ...